Naomi Watanabe Rocks Red-White-Blue Bag Dress in Taiwan Comedy Film
SingTao · 1 SOURCESabout 3 hours ago2 MIN
Summary
Taiwanese film "How Is It Possible That My Ancestors Are Your Ghosts," directed by Su Da, brings together Japanese comedy queen Naomi Watanabe, Taiwanese heartthrob Liu Yihao, actress Huang Jingyi (also known as Xiaoxun), Sa Jinu, and special guest Vivian Hsu in a genre-blending adventure. The film premiered in Hong Kong with preview screenings from September 25 to 27 during the Mid-Autumn Festival holiday, followed by its official opening on October 1, National Day .
Key Points
- Naomi Watanabe plays Juliet, a celebrity traveling to Taiwan to trace her roots, appearing in a dazzling dress crafted from the distinctive red-white-blue striped reusable bags, locally known as "kezhibags" and nicknamed "Taiwan's LV" by Japanese netizens .
- Costume designer Song Guanyi created the eye-catching ensemble, blending local Taiwanese and Hong Kong cultural elements with high-fashion glamour while maintaining the character's superstar persona .
- Liu Yihao portrays Juliet's perpetually panicking manager Xiao Luo, confessing that delivering nearly all his lines in fluent Japanese was his biggest challenge, requiring him to memorize every word to maintain emotional authenticity .
- Huang Jingyi takes on the demanding dual role of two characters, including a possessed version requiring her to deliver nonsensical dialogue with a frozen, vacant stare while remaining completely present in the moment .
- Sa Jinu plays the gender-neutral character "A Du," bringing authentic emotional depth to break stereotypes and deliver both comedic and moving performances throughout the film .
Why It Matters
The film's Hong Kong release during two major holidays positions it as a cultural bridge connecting Hong Kong, Taiwan, and Japanese entertainment industries, demonstrating how shared regional icons like the red-white-blue bag transcend borders . For Hong Kong audiences, the movie showcases how familiar local elements can be reimagined through international star power, potentially inspiring similar cross-regional creative collaborations in the future .
The film's Hong Kong release during two major holidays positions it as a cultural bridge connecting Hong Kong, Taiwan, and Japanese entertainment industries, demonstrating how shared regional icons like the red-white-blue bag transcend borders . For Hong Kong audiences, the movie showcases how familiar local elements can be reimagined through international star power, potentially inspiring similar cross-regional creative collaborations in the future .