MIRROR's Frankie Chan makes nervous solo debut, earns 'Gear King' title
AM730 · 1 SOURCESabout 3 hours ago5 MIN
Summary
MIRROR member Frankie Chan Sui-fai (陳瑞輝) made his first-ever solo stage appearance at a shopping mall music event in Tsim Sha Tsui on August 8, performing three songs that traced the stages of a breakup . The 33-year-old singer confessed to being extremely nervous, briefly fumbling lyrics during his opening number before settling into a more assured performance . Beyond the music, Chan has earned the nickname "Gear King" from his MIRROR bandmates for his extraordinarily well-stocked backpack, which he has carried for over a year without switching bags .
Key Points
- Chan performed three songs at the Harbour City event on August 8: "Must Leave" (《非走不可》), his new release "Today's Romance" (《是日戀愛》), and "Piss Poor" (《皮思苦》) .
- He admitted to being "nervous beyond words" and made a lyric mistake during "Must Leave," though he stabilized afterward with support from fans and familiar crew members .
- The three-song selection was designed to narrate different phases of a relationship's end, from denial to acceptance .
- Chan revealed his backpack contains chili oil, razors, deodorant, hand cream, breath-freshening candy, umbrellas, chargers, and nasal decongestants—supplies his bandmates regularly borrow .
- He has used the same bag for more than a year and only reorganizes it when switching bags entirely, joking that he doesn't know whether the chili oil has expired but bandmate Anson Kong "AK" (江𤒹生) survived eating it .
- MIRROR is preparing to film a variety program, and Chan hopes the production team will arrange diving activities so he can obtain a diving license using company resources .
Why It Matters
Chan's solo debut marks a significant step in MIRROR's individual member development strategy, as the 12-member group increasingly allows members to build personal brands beyond collective promotions . His self-deprecating humor about the performance and the "Gear King" persona also demonstrates how Hong Kong idols are cultivating relatable, everyday-guy images that resonate with local audiences seeking authenticity over polished perfection .
Chan's solo debut marks a significant step in MIRROR's individual member development strategy, as the 12-member group increasingly allows members to build personal brands beyond collective promotions . His self-deprecating humor about the performance and the "Gear King" persona also demonstrates how Hong Kong idols are cultivating relatable, everyday-guy images that resonate with local audiences seeking authenticity over polished perfection .