Ivy So at 26: Beyond Youth Image, Dreams of Tall CEO Romance
AM730 · 1 SOURCESabout 4 hours ago5 MIN

Summary
COLLAR member Ivy So (蘇雅琳) has emerged as a singer-songwriter in 2024, releasing two solo tracks with self-penned lyrics while grappling with creative challenges and personal growth. The 26-year-old discusses her late-blooming music discovery, romantic ideals shaped by novels, and strategic career planning beyond her group's youthful branding .
Key Points
- Ivy So released two solo songs in 2024, "給你一隻大口仔" and "原地拖手", both with lyrics she wrote herself, representing COLLAR's individual member promotions alongside bandmate Candy Wong .
- The lyric-writing process proved arduous: her first song revealed limited vocabulary, while the second required balancing quirky cuteness per producer Shuwen's demands, taking three days to achieve .
- Ivy only began exploring Hong Kong and Mandopop recently, having grown up with K-pop and first encountering Cantopop through Eason Chan's "K歌之王"; she now deeply analyzes lyrics and their stories .
- She incorporated Khalil Fong's "黑白" into her song, confessing she'd be thrilled if a love interest sang its line "你是我愛的女孩" to her, despite friends having known Fong's music for years .
- A childhood two-year crush on a twin brother ended when the other twin called her "豬扒" (ugly), making her feel unworthy; she now fantasizes about 180cm tall, assertive CEO-types from her novel-reading phase .
- At 26, Ivy actively considers her post-youth career, having tried voice acting and acting, questioning whether she'll continue as solo artist in 5-10 years, though lyric-writing has sustained her interest .
Why It Matters
Ivy's candid reflection on aging out of COLLAR's youthful image and her deliberate skill diversification signal a broader generational shift among Hong Kong idol group members seeking sustainable artistic identities beyond manufactured pop personas .
Ivy's candid reflection on aging out of COLLAR's youthful image and her deliberate skill diversification signal a broader generational shift among Hong Kong idol group members seeking sustainable artistic identities beyond manufactured pop personas .