Maria Cordero Reveals Entertainment Industry Loan Scandal, Cancer Fraud Cases
AM730 · 2 SOURCESabout 4 hours ago5 MIN
Summary
Veteran singer Maria Cordero (肥媽), appearing on Metro Broadcast Corporation's 35th anniversary special program "Metro Mission 35," shared candid insights about her decades-long entertainment career alongside longtime collaborator Luk Ho-ming (陸浩明, also known as Six). The 68-year-old Macau-born singer revealed that industry insiders have borrowed hundreds of thousands of dollars from her over the years, with 80-90 percent of these loans never expected to be repaid . She disclosed that some individuals falsely claimed to have cancer as an excuse to solicit money, though she expressed resignation rather than anger .
Key Points
- Maria Cordero revealed that entertainment industry colleagues have borrowed hundreds of thousands of dollars, with 80-90 percent expected to never be repaid
- She disclosed that some people falsely claimed to have cancer to borrow money, though she remains philosophical about the deception
- During a stadium performance, a screen suddenly caught fire with 1,000-2,000 audience members present; she calmly handled the situation to prevent a stampede
- She recalled a Shenzhen performance where the music tape was accidentally erased; she completed the full 45-minute show by singing classics like "I Am Chinese" a cappella
- The veteran entertainer stated she has no plans to retire: "As long as I'm alive and someone wants to hire me, why force me to retire?"
Why It Matters
Cordero's revelations expose the prevalence of financial deception within Hong Kong's entertainment industry, where trust between colleagues is often exploited . Her approach of distinguishing between gifts and loans while maintaining compassion despite being deceived reflects a broader cultural tension between personal generosity and professional boundaries in the industry .
Cordero's revelations expose the prevalence of financial deception within Hong Kong's entertainment industry, where trust between colleagues is often exploited . Her approach of distinguishing between gifts and loans while maintaining compassion despite being deceived reflects a broader cultural tension between personal generosity and professional boundaries in the industry .