Former TVB Best Actress Sisley Choi Leaves Station, Lands Stephen Chow Role
SingTao · 1 SOURCESabout 2 hours ago5 MIN
Summary
Former TVB Best Actress Sisley Choi has embraced a new chapter after leaving the broadcaster, revealing she refused to accept roles without creative input and eventually landed a role in Stephen Chow's upcoming film Kung Fu Soccer Women. During a recent visit to Nepal as a charity ambassador for Plan International Hong Kong, Choi encountered a 16-year-old child bride named Lidhija, sparking reflection on fate versus self-determination.
Key Points
- Sisley Choi (蔡思貝) left TVB this year, describing it as a "new chapter" that gives her greater control over her creative work
- She served as a voluntary ambassador for Plan International Hong Kong, traveling to Nepal to learn about child marriage practices in rural villages
- In Nepal, she met 16-year-old Lidhija, who was married off after her older sister eloped, leaving Lidhija to care for her husband's grandparents
- Choi contrasted Lidhija's situation with Hong Kong teenagers, noting: "We at 16 are taking sticker photos and drinking bubble milk tea"
- After leaving TVB, Choi auditioned online for Stephen Chow's Kung Fu Soccer Women, waiting over a year for confirmation while continuing to train
- On social media, Choi publicly stated she wanted to be "his girl," and Stephen Chow responded with "I promise! How will you repay me?"
- Stephen Chow sent Choi a Spring Festival couplet reading "everything you wish comes true," which remains unopened in a box as a cherished keepsake
- Regarding her acting principles, Choi stated: "I won't blindly follow if it affects my persona, my principles, my beliefs. Why should I cover up my conscience?"
Why It Matters
Choi's departure from TVB represents a significant shift in the Hong Kong entertainment landscape, where established actors increasingly seek creative autonomy beyond traditional broadcasting structures. Her candid reflections on artistic integrity versus industry demands, contrasted with her encounter with child marriage in Nepal, underscore broader conversations about women's agency and self-determination across different cultural contexts .
Choi's departure from TVB represents a significant shift in the Hong Kong entertainment landscape, where established actors increasingly seek creative autonomy beyond traditional broadcasting structures. Her candid reflections on artistic integrity versus industry demands, contrasted with her encounter with child marriage in Nepal, underscore broader conversations about women's agency and self-determination across different cultural contexts .