Rose War Stars Face Crowd Chaos During Tram Promotion
SingTao · 1 SOURCESabout 5 hours ago4 MIN
Summary
Actors from TVB's anniversary drama Rose War (玫瑰戰爭) undertook a tram promotion tour across Hong Kong on Sunday, November 8, 2026, drawing large crowds. The promotional event, featuring Ma Kwok-ming, Chan Jin-pung, Chan Yiyi, and Fu Ka-lee, encountered chaos when approximately 100 fans gathered at Causeway Bay. During the actors' disembarking, a confrontation erupted between bystanders and security personnel. The drama, which premieres on Monday, features challenging scenes including one where Chan Yiyi's character is drugged and sexually assaulted—content the actors believe can be used to educate young viewers about personal safety.
Key Points
- The tram tour began in Sheung Wan and traveled to Causeway Bay, where nearly 100 people gathered to see the actors .
- A scuffle between passersby and security occurred when the actors were getting off the tram at Causeway Bay .
- Chan Yiyi plays a drugged and assaulted victim in the drama, following a similar scene she filmed two years ago in Detective Investigation Files 12 .
- Chan Jin-pung said he would use the drama to teach his daughter not to accept drinks from strangers when she is older .
- Mainland Chinese audiences have already seen several episodes and responded positively, praising the first episode's intensity .
Why It Matters
This promotion highlights TVB's strategy of using provocative storylines to attract cross-border viewers, with the drama already gaining traction on mainland platforms before its Hong Kong premiere . The actors' willingness to discuss using sensitive content as a teaching tool for children reflects ongoing debates in Hong Kong about how media can serve educational purposes beyond entertainment.
This promotion highlights TVB's strategy of using provocative storylines to attract cross-border viewers, with the drama already gaining traction on mainland platforms before its Hong Kong premiere . The actors' willingness to discuss using sensitive content as a teaching tool for children reflects ongoing debates in Hong Kong about how media can serve educational purposes beyond entertainment.