Hong Kong Debut Feature 'The Day I Was Killed' Premieres at Busan Film Festival
AM730 · 1 SOURCESabout 3 hours ago5 MIN

Summary
The film "The Day I Was Killed" (被殺的那天), directed by first-time feature filmmaker Lam Lok-kan and produced by Cheng Pak-soi, has been officially selected for the prestigious Vision-Asia competition unit at the 31st Busan International Film Festival . The movie held its world premiere teaser launch on September 15, coinciding with the release of its poster and trailer . Lead actor Lokman Yeung (楊樂文), along with co-stars Tam Sin-yin and Maggie Shaw, will travel to Busan to attend the world premiere .
Key Points
- The film is Lam Lok-kan's debut feature, developed under the 7th First Feature Film Initiative (Tertiary Division) with funding from the CreateHK Film Development Fund
- "The Day I Was Killed" tells the story of Lokman Yeung's character Zheng Kai-wen, whose life is upended when a young man claiming to be his half-brother appears, forcing him to confront his father's suspicious death over a decade ago
- The late father's death was officially ruled a suicide despite suspicious circumstances, with Maggie Shaw's character initially considered a prime suspect in the case
- The film's teaser poster features close-up shots of Maggie Shaw and Lokman Yeung, their faces fragmented and reassembled through grid lines, symbolizing the complex layers of memory, truth, and family secrets
- Producer Cheng Pak-soi expressed pride in the director's achievement, emphasizing that audience feedback matters more than competition results
Why It Matters
This selection represents a significant milestone for Hong Kong's emerging filmmakers, as the Busan International Film Festival remains one of Asia's most influential platforms for Asian cinema . The film's exploration of trauma, memory, and family secrets through a mystery narrative positions it to resonate with international audiences seeking complex psychological dramas from the region .
This selection represents a significant milestone for Hong Kong's emerging filmmakers, as the Busan International Film Festival remains one of Asia's most influential platforms for Asian cinema . The film's exploration of trauma, memory, and family secrets through a mystery narrative positions it to resonate with international audiences seeking complex psychological dramas from the region .