Chow Ka-yee jokes as Bobby Au-yeung misnames drama
SingTao · 2 SOURCES1 day ago5 MIN
Summary
At a VIP celebrity screening for the film Mama’s Prime (《媽樣年華》) on October 20, Chow Ka-yee, Yeung Nga-man, Chan Ka-lok, Wong Ho-yin, Bobby Au-yeung, Kathy Tong and Mak Chau-shing were among those in attendance. Chow said she was happy that old friends including Au-yeung came to support the film, and the pair drew laughs when he repeatedly mixed up the title of one of their earlier dramas during separate media interviews nearby. Yeung, who appears in the film as Chow’s classmate in pole-dance training, said the preparation left her with abrasions and bruises. Au-yeung also used the occasion to speak about his current work pace, his slimmer lifestyle after the pandemic, and his views on the cast changes in the sitcom Come Home Love franchise.
Key Points
- At the October 20 VIP screening, Chow Ka-yee, Yeung Nga-man, Chan Ka-lok, Wong Ho-yin, Bobby Au-yeung, Kathy Tong and Mak Chau-shing were present.
- Chow said she has known Au-yeung for years, still meets him for meals, and hopes producers will arrange another project together.
- During nearby interviews, Au-yeung shouted whether their earlier drama was “Yiu Mo Wong Sha” or “Yiu Mo Cheung Sha”, and Chow corrected him: Fire of Conscience in the Desert, or Fire Dance on Yellow Sand, “Fo Mo Wong Sha” (《火舞黃沙》).
- Au-yeung said he first noticed Chow in Fire of Conscience in the Desert because she played a girl with a cleft-lip defect, and they later worked together on Men with No Shadows (《不速之約》), in which her character had a crush on him.
- Yeung said pole-dance training for the film caused scrapes and bruises, while Chow said the experience changed her earlier stereotype that the art form was only a sexy nightclub act.
Why It Matters
The screening generated attention not only for the film’s cast chemistry but also for how it reframed pole dancing as a disciplined performance art rather than a stock nightlife image. For Hong Kong audiences, Au-yeung’s comments also added a wider television angle, linking nostalgia for past collaborations with ongoing debate over cast changes in long-running local productions.