Zhang Mingmin Gets Concert Approval After Six Coliseum Rejections, First HK Show in 40+ Years Set for Kai Tak
SingTao · 1 SOURCESabout 3 hours ago4 MIN
Summary
Zhang Mingmin (張明敏), the iconic singer behind the beloved patriotic anthem "My Chinese Heart," has secured approval to hold his first-ever solo concert in Hong Kong at the Kai Tak Sports Park Arena on November 28, 2026. After applying to perform at the Hong Kong Coliseum six times during the past decade without receiving any response, Zhang shifted his application to Kai Tak and received approval immediately. The veteran performer, who debuted over 40 years ago, credits the successful booking to the right timing and circumstances.
Key Points
- Zhang Mingmin applied to the Hong Kong Coliseum six times over ten years, receiving no response before turning to Kai Tak
- The concert is scheduled for November 28 at the Kai Tak Sports Park Arena, marking his first personal show in Hong Kong
- Zhang plans only one performance, citing audience hesitation about traveling to Kai Tak and concerns about filling all seats
- The setlist will span patriotic songs, anti-war anthems, and Mandarin pop hits from the 1960s to 1980s
- Du Yan'ge and Li Longji attended the press conference to show support, with Ye Jiaxiu confirmed as a guest performer
Why It Matters
Zhang Mingmin's long-awaited concert represents a significant milestone for Hong Kong's live entertainment scene, demonstrating how alternative venues like Kai Tak are becoming viable options for artists previously limited by Coliseum bookings. His performance will feature patriotic and historical songs, including anti-war pieces and songs from the Cultural Revolution era, potentially attracting audiences interested in heritage music education.
Zhang Mingmin's long-awaited concert represents a significant milestone for Hong Kong's live entertainment scene, demonstrating how alternative venues like Kai Tak are becoming viable options for artists previously limited by Coliseum bookings. His performance will feature patriotic and historical songs, including anti-war pieces and songs from the Cultural Revolution era, potentially attracting audiences interested in heritage music education.