He Chiyi Reveals Career Low After Record Label Termination, Mother's Harsh Words
SingTao · 1 SOURCESabout 4 hours ago2 MIN
Summary
He Chiyi (Josie Ho), the youngest daughter of late casino magnate Stanley Ho, has revealed details of her lowest professional moment during an interview on Do Do Cheng's YouTube show "The Do Show." The actress-singer, known as the "most rebellious daughter" among Ho's 17 children, disclosed she was terminated by her record label Hua Xing Records shortly after releasing her debut album, and her own mother criticized her career choices.
Key Points
- He Chiyi was signed to Hua Xing Records under manager Chan Ka-yee, releasing debut album "He Family Lady" with multiple newcomer awards
- Hua Xing terminated her contract citing expensive MV production costs and album sales of only over 10,000 copies
- She faced approximately two years without work, spending time wakeboarding and socializing at the beach
- During this period, her mother Lan Qiongying told her: "Don't embarrass the family anymore, stop making a fool of yourself"
- In 2003, she won the Hong Kong Film Award for Best Supporting Actress for her prostitute role in "Dealing with It"
- Father Stanley Ho had jokingly asked her: "You're doing it again? Can't you stop being a prostitute?" after learning about her controversial acting roles
- He Chiyi credits her perseverance through the difficult period as key to her eventual success in the entertainment industry
Why It Matters
He Chiyi's candid revelations about family dynamics and career setbacks offer insight into the pressures faced by children of wealthy business families who pursue unconventional paths. Her story highlights how even with substantial financial backing, success in Hong Kong's competitive entertainment industry requires resilience and self-belief against both industry rejection and family skepticism .
He Chiyi's candid revelations about family dynamics and career setbacks offer insight into the pressures faced by children of wealthy business families who pursue unconventional paths. Her story highlights how even with substantial financial backing, success in Hong Kong's competitive entertainment industry requires resilience and self-belief against both industry rejection and family skepticism .